Cant see anything other than Zuckerbergs moniker?
That’s odd - when you click on it??
https://www.facebook.com/marketplace/item/1099721713784781/?ref=facebook_story_share
How bout this one??
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Nice, classy and tight looking.
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As said I think Charvels are far better looking guitars than Kramers to be honest.
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Might ask him whats best price inc delivery. Is it a fair price??
@Noo_Noo @Barnestormer
That white one I’d have, no issues if I were after a rock guitar.
If you can get it for £550 with the case that sounds about right to me if not a teeny bit high. They’re an £800 guitar new without the case I think.
Best one you’ve posted IMO.
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or there’s always this. This kind of feels like sacrilege
Playing starts around 2.15. It rocks.
How much gain is he using there?
A tad!
Made an offer of £550.
See what he says.
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Three Kiesels (a swamp ash Vader7, a mahogany LPM7, a swamp ash CL7), one Steinberger
Crate GFX60
Vox Mini5
Positive Grid Spark
Boss ME 70 pedalboard
Assorted pedals (Diesel preamp, Horizon Precision Drive, Boss pedals, Dunlop sound pedal, an amp power soak)
Used to have a Peavey 6505 lunchbox that I sold
Saving up to get an Aristides
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Offer accepted. £550 inc Postage.
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What kind of music do you play?
Nice.
We’re just about all settled. Just need to figure out how we rescue @Barnestormer 's gear now.
Next topic for discussion will be pedals!!!
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Easy: Pro Co RAT, Ibanez TS808 and Death By Audio Fuzz War. 
No no no
TS808 maybe but I suspect I’d fall into the Klon Centaur or Analogue Man King of Tone camp
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Metal, Prog Metal, Prog Rock, some fusion.
This one is my favourite, it has three voices which I think adjust the clipping, there is a modern, vintage and metal setting, but I usually drop it in modern or vintage, fuck metal, as in not plastic.
Hard to know why I love it from a picture, but run it usually on about just under half distortion, tone just into treble emphasis, and volume maybe at 10/11 o’clock. Has such a squished core, love it, with a short delay, usually provided by this bad boy:
A superb quality multi delay; but my favourite will be from the Toneport App, a vintage tape with slight vibrato on the feedback, gets the tail phasing just nice, and invites you to stop playing to hear it. Thus must leave gaps.
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Fantastic stuff. I’m only just realising how far behind the curve I am on this stuff. Set ups, preferred pedal sequences, wet and dry set ups, stacking drives etc.
All of which is leading to yet more confusion on the direction to go.