I didn’t raise the notion of closure in the first place, and I am acutely aware that we are three middle aged white men having a discussion about how to move on from the slave trade. Y’know, we might not be the most important voice in this?
I reject the notion of guilt and sin. I have had that idea pushed at me in the past as part of critical race theory, and I challenged it then, and I’d challenge it again. This should not be about guilt and it’s not about the sins of the father, or anything like that.
We should be able to acknowledge that our society has been shaped by the slave trade, and we have had advantages conveyed on us by that, while also understanding that we didn’t personally participate in it or support it at the time (although it’s an interesting thought experiment - if you were living 250 years ago, would you have been an abolishionist? In a deeply and overtly racist society, how much would you have been willing to go against the grain? Nobody can say for sure)
Anyway, I don’t know how to fully provide closure for the slave trade. I don’t think it’s even my place to suggest what that might involve.
But lets loop this round to the original seed of the conversation. Part of whatever closure looks like, it surely involves re-examining how we display and contextualise history from that period. When an institution or collection decides to do this, a role we can all take is to embrace that and see the positives of that effort, rather than be the boring old fart moaning about cancel culture and political correctness gone mad.